Inches

Just when I was thinking I’d make it through February without seeing snow again, it snowed. And it kept snowing. The stuff was falling pretty steadily when I woke up this morning and discovered that I had no food in my apartment.

And when I looked out my window and saw that my street (which happens to be on a maybe-forty-degree incline) was bleached-white, I knew I’d continue to have no food in my apartment for a while, because I’d be damned if I was going out in that.

Yeah, I’d have to go to the supermarket eventually, but I figured I’d wait for the snow to stop first. But when one p.m. rolled around and the rate of snowfall seemed utterly unchanged, I realized there’d be no getting around it: I’d have to man up and face the elements.

It doesn’t snow often in the Midwest. When it does, we’ll get perhaps a foot of it at most, and that’s a far cry from the volume people on the east coast have to deal with.

Yet that’s exactly what makes snow here so annoying: snow in the Midwest comes about just infrequently enough that productivity grinds to a halt every time it appears. Everyone’s perplexed and weirded out. We all have to take a moment to remember what snow is, and what to do when it comes around. 

Not many people take prophylactic measures against it. At least, I sure as hell don’t. I don’t wrap chains around my tires or carry an ice scraper in the trunk.

It’s true that they salt the roads here, but I don’t think they do it with the necessarily-ruthless efficiency employed elsewhere. When I was a kid growing up in Springfield, they used to shut all the schools down every time there was so much as a centimeter of snow. 

But before Springfield, I lived in West Chester, Pennsylvania. And over there, snow days more or less didn’t exist. No matter how ridiculous the previous night’s snowfall, plows would hit the streets at four a.m. and annihilate the bulk of it. Over there, snow was no big deal.

In Kansas City, just six inches of snow can gum the works up like nothing else. To drive to the supermarket in this weather is to travel at fifteen miles per hour and watch everyone else doing the same, their cars all taking part in a bizarre slow-mo ballet. It’s maybe beautiful, if you’ve got a loose definition of the term “beautiful.” 

Tomorrow’s the first day of March. By Google’s estimation, it’s supposed to get up into the forties and stay there. This being Missouri, all bets are off, but that’d be nice.

Dirt

A guy once spent six hours trying to rid his apartment of invisible dirt. The guy’s name was Plato, the apartment’s name was #944, and the invisible dirt had no name.

Every night, a layer of dirt grew out of the carpet and crawled up the walls and furniture of Plato’s apartment. Every morning, when Plato woke up, he felt, rather than saw, that everything he owned was covered by a thin, grimy film. If he waited a week, he knew the the film would become a series of hills. If he waited a month, it would become a vast, craggy mountain range.

Plato didn’t know what would happen if he waited longer than a month, because he’d never done that. Sometimes, though, when popping tabs, he saw terrifying images of himself going to bed and never waking up because the dirt had buried him in his sleep. He swore he’d never let things escalate to that point.

So, if he could, Plato cleaned every day. He vacuumed and lysed and dusted. It was a losing battle, because more and more dirt always grew back, no matter how much he cleaned. Plato had tried to move to get away from the stuff, but the dirt followed him from apartment to apartment. Plato had no idea why it followed him like that. He had no idea where it came from. His father said it came from his imagination; Plato still cleaned every day. Cleaning had become his side job. His main job was different – typical nine-to-five work.

Plato was a scribbler. Freelance, technically, though since his feeder days he’d only worked with one company, Shark Corporation, and he’d only been assigned one territory, the Lightfall network. Plato had been scribbling up and down the Lightfall monostrips for nearly a year now. He made decent money, too, though he spent an awful lot of it. For example, he’d had three telescreens ruined by the crawling dirt already. Telescreens were pricey.

So dirt was Plato’s second job. He was master of the dirt, lord of the dirt, keeper of the dirt. There could have been a documentary about him: “Plato: Dirtologist Extraordinaire.” It could have chronicled his early life, his graduation from feeder school, and his upwardly-mobile, record-breaking career with Shark. Plato had broken scribbling records and tagged more walls in an hour than a team of six could do in the past; he was one of the nation’s top scribblers and word was that they liked him at Shark – word was, the kid was going places.

And yet, the documentary would say, there was a dark side to young Plato, one only those closest to him knew anything about.

Perhaps the narrator would, in a voice both somber and resonant, describe the lengths to which Plato had gone to understand the dirt.

Perhaps he would mention Plato’s attempts to stay up all night, clutching a flashlight, in an attempt to watch the dirt emerge from its daytime hiding place: because he was sure that this was nocturnal dirt. 

“Plato.” his father had said. “Nocturnal dirt?”

Plato collected samples of the dirt as it crawled up out of his carpet. He sealed those samples away in plastic bags and kept records of which bags contained which samples from which dates. He put the bags in his fridge. When the fridge filled up, he bought another fridge.

Plato eventually discovered a whole new species of dirt, a kind that diffused out of his ceiling and dropped down, instead of emerging from the carpet and crawling up. Two sources of dirt meant twice as much of it to deal with. And the idea of the stuff dropping down? Potentially onto him? Plato wasn’t comfortable with that.

He started sleeping with a blanket over his head. He set up jars to catch the samples of this second dirt species. Then he compared them to the original species. He postulated that both types had come from a single dirt-progenitor. He drew sketches of what this dirt-progenitor might have looked like. He taped the sketches to his bedroom wall.

Then Plato’s father died. Plato was unaffected at first. The two of them had never been close. Plato’s father was a monostrip engineer. He had not approved of his son’s job – he had felt scribbling was a blight upon the maglev system. He had not approved of his son’s second job, either – he had felt his son was going a little crazy. And now, of course, he felt nothing.

Plato had no one left to talk to, and while he was okay with this at first, it eventually began to take its toll. He craved human contact, but couldn’t get it. He tried to meet people. It was hard, what with the job he had, but he tried to go out. He went to Mobius. He went to the Monostrip. He went to Shark Attack. He didn’t meet anyone, though – he just embarrassed himself. He started buying pornographic magazines. Guitar Girls and Titillating Tits were favorites.

One Friday, feeling daring, he called a sexconnect listing he found in NexusIndex.

“Uh, hi,” he said. “I – I’d like a sexconnection.” He felt weird saying the words.

“Name and address?” The voice spoke in a disinterested monotone, yet it was also alluring and effeminate.

Plato said his name, and then said his address. The voice said a sexconnection named Kim Lorraine would visit him the next night at ten.

Plato pressed the button behind his ear to end the call but his finger was sweaty and it slipped. He was nervous. He’d have to clean better than he’d ever cleaned before. His place wasn’t presentable. Too much dust. What if Kim Lorraine noticed? No one had been to his apartment in months except his father and his father hadn’t thought much of it. Plato wanted to impress.

So the next day, after Plato woke up, he vacuumed the carpet, washed the dishes, and doused the bathroom tile-grout with ammonia. He slid on his latex gloves, grabbed a can of lysing spray and a synthetic scrubbing cloth, and walked around spraying and wiping down every surface he saw.

Plato was good at spraying, because spraying was his job. Spraying was both of his jobs. He sprayed his bed and sprayed the surrounding area. He sprayed the front door and sprayed the short corridor that joined it to his living room. He sprayed the couch. He sprayed all the corners, all the crannies, all the cracks. Sprayed all the places he’d first sprayed, again. Sprayed the clothes he was wearing.

By then, the spray-can was empty, so he put it and the scrubbing cloth into a trash bag which he tied shut and took down to the complex’s basement, where he threw it into the incinerator.

Then Plato rushed back to his apartment, sat cross-legged on the floor near the door, and waited, trying his best to keep his heart rate down.

When the sexconnect arrived at apartment #944, Plato was sweating more than he’d thought possible. 

“Hello,” Kim said.

Over the past several hours, Plato’s unconscious mind had developed an image of what Kim Lorraine looked like. In this image, Kim was basically a goddess. Now, face to face with the reality, Plato had to admit that she was not a goddess. This did not mean that he wasn’t still attracted to her, because he was, though he wasn’t sure why or how. 

Had he been asked, at this point, exactly what it was about Kim Lorraine that he was most drawn to physically, he would not have been able to give a straight answer. He would have just stammered a lot. He was stammering a lot as it was.

“I’m, uh, Plato,” Plato said.

“Plato,” Kim said. “What’s your last name?”

Plato just stared blankly at her.

“…okay,” Kim said. “Two hours, right?”

“Is two hours enough?”

Kim laughed. “That’s for you to decide.”

“Well, you know. I don’t know what I’m doing.”

“Not many of our customers do.”

They sat down. Plato asked Kim if she’d like anything to drink.

“Water.”

“I have sharkol,” Plato said. “In case you want any sharkol.”

“Water is fine.”

“Right.”

Plato went into the kitchen. When he walked in, he was horrified to discover that the dirt was already growing back. He looked at the ceiling – dirt was raining down. He looked at the floor – dirt was creeping up. What if Kim were to see this?

He walked back out, glass of water in his hand. He gave the glass to Kim. She took it.

Kim said, “you’re not drinking anything yourself?” Plato shook his head. He’d forgotten.

Kim laughed. “You look nervous,” she said. “Relax.”

Plato sure as hell couldn’t relax. Later, when Kim took off her shirt, he was even less able to relax. In fact, at that point, he was thrown into a state of panic. When she wrapped her right arm around his neck and pulled him down onto the floor he was still in a state of panic and when they slipped onto the carpet he had lost it.

“We can’t be here,” he said, sitting up.

“What?” Kim said. “What are you talking about?”

Words gurgled out from between Plato’s lips – words about the dirt and his father, but mostly about the dirt and how it was here, how he and Kim were rolling in it and were stuck in it and would never get away from it. The dirt, Plato explained, had kept coming and was going to keep coming and until then all they could do was fuck.

“You’re sick,” Kim said, and walked out. Plato just sat cross-legged on the floor, muttering to himself.

Drake

One morning, a man looked in his bathroom mirror and decided, once and for all, that the creature he saw in it had to go. This man’s name was Drake.

For weeks, Drake had toyed with the idea of suicide, but the impulse had never quite locked in. Now that it had, he was relieved. He smiled, and so did the creature in the mirror. Drake turned on the water faucet and began to brush his teeth. Thirty minutes later, he’d left his apartment and was on his way to Volt Nine.

Volt Nine was a tower fifty stories tall. It was huge. It was art. It was a sick place and a slick place, a sleek place and a steep place. It was a knife that pierced the sky, stabbing thick Crescent City fog and plunging into the heavens above. It was a monument and a monolith to man and mammon.

It was also a happening party joint: not only was it the largest entertainment venue in Crescent City, but it was the largest one in the Edgelands. Volt Nine was open every night of every week of every year. It had a schedule. Monday was ice night and Tuesday was alcohol night. Wednesday was ladies-get-in-free night and Thursday was shark night. Friday was cream night. Saturday and Sunday were death nights.

Death nights were by far the most popular, but for a long time Volt Nine’s management hadn’t made any money from them. This was because, for years, they had to pay the utility fees from using Crescent City’s power grid. This practice was eventually abandoned: Volt Nine’s management installed a lightning rod – a huge, jagged thing at the very top of Volt Nine. It looked like a giant razor blade.

On overcast days, when queasy clouds vomited up thick warm rain, they turned the razor blade on. That way, when the ions in the atmosphere danced their nervous electrical dance, the blade was there to catch them and magnify them and split them and aggregate them; to turn them into an explosion of buzzing bright static that shimmered in the air.

And then that explosion was drawn back down into the tower, compressed and passed to nine high-energy batteries wired together on the roof. Keeping those batteries charged was important. Not only were death nights the most popular nights, but attendance was starting to go up logarithmically every week.

Every time lightning struck Volt Nine, it was an event. If the place was open, throngs of partygoers rushed to the top floor, just to watch the sparks fly and flicker in midair, just to catch a glimpse of those bursts of light and color, just to watch the way they lit up the horizon for that split-second. It was micro-religion: a single moment of revelatory bliss for thousands and thousands of iced or drunk or sharked-out or creaming partiers. They looked up and saw God.

Drake looked up and saw a tired man. The man spoke.

“What’ll it be?”

“Give me ice,” Drake said. “Fifteen tabs.”

The man laughed. “It don’t start ‘til midnight. You trying to get a jump-start or what?”

“No,” Drake said. “Just – I’ve got friends, you know.”

“Sure,” the man said. “you got friends – that’s why you’re here on a death night, huh?” He laughed again.

Drake took the fifteen tabs, handed the man fifteen credits, and left.

Intersect

He sat in the back. His eyes kept closing, and every time they did, he was already downtown. When they opened, he was on the train again. He’d gotten no sleep the night before. He figured he was hallucinating.

He looked down at the bottle he clutched in his hands; 50-proof sharkohol. The SharkCo insignia was clear and bold and it disgusted him. Here he was, twenty years old. Twenty years of life and all he’d done was become a lowlife, an addict, a sharker. Twenty years of life had built up to a train journey downtown to the Intersect, a journey he was taking for reasons he didn’t even understand.

A thought flickered and died in his mind: a sudden, piercing thought that spat and fumed and waggled its finger in his face, and told him, you’re never going to see her again so what the hell are you even doing? He hated the thought and tried to push it away, but he had to admit that it had a point.

The Intersect was a vast place, a towering, glittering sparkle-city of the vacuum-dry future, dry and devoid of vitality, devoid of history, devoid of context. There was no cracked marble; there were no chunks of historical detritus. There were just plastic rafters and steel bars and glass panels. 

He thought about this as he sat in that train car. He thought about the Intersect, that suffocating, slick city full of lights and metal and ugly people and ugly things; the thick gauze of a city that wrapped itself around his brain and clogged his thoughts with gunk.

When his stop came, he got off the train and in doing so had to hand an identification card to a man at the turnstile with a frown on his face. The man took his card and held it up and looked at the name on it and nodded, and then handed it back.

Standing in the train station, he could feel its iciness press against his shoes and creep up his legs. He watched the people all around him, always moving, always anonymous, always terrifying, and thought, god, what am I doing here? Why did I even come here? And then he remembered, yeah, he’d come to the Intersect to see someone who maybe wasn’t even alive anymore.

But the months he’d spent in the chaos pit of his mind had dulled him enough that the incoherency in his life didn’t bother him anymore. If he was going to go on long train journeys for shaky reasons, then so be it.

He found himself staring at a puddle of piss in the corner, and at the adjacent wall, covered with verbal diarrhea, with graffiti, weirdly luminescent in the station’s half-light. He wasn’t sure what to feel.

Heroes

I really dig Heroes. Maybe I like it more than Low, even, because although Low is probably the better record, and was more mind-blowing to me when I first heard it, it’s also a little mannered; whereas on Heroes Bowie exhibits no restraint whatsoever. Even by his standards, the histrionics are sweeping. Songs like “Joe the Lion” and “Blackout” are huge and unhinged in a way that most of his stuff just isn’t.

What I like most about Heroes is that weird schizophrenia it exudes, though that’s also what makes it crumble as an album in the face of something like Low.

Low is pretty depressive, but at least Bowie sounds like he’s more or less holding it together there; despite the thing’s overall lonely vibe, the songs with vocals are tight, economic pop numbers, and are recognizable as such; and the “ambient” stuff on side two is pretty melodic and seems closer stylistically to Eno circa-Another Green World than his actual ambient period.

But then you’ve got Heroes, where all the songs sound like demented improvisations: even the title track, theoretically the big pop song, pretty much consists of a slowly-unfolding drone with an increasingly-agitated Bowie on top. The songs jerk and shudder; compositionally, they’re all over the place.

The singing is spastic and off-kilter, with falsetto backing vocals sometimes coming in seemingly at random, like some bizarro-world parody of the soul vocals in Young Americans. The lyrics are pretty garbled, but have an underlying desperation in them (from “Joe the Lion”: “You get up and sleep / the wind blows on your cheek / the day laughs in your face / guess you’ll buy a gun. . .”).

And then, halfway through, the whole thing dissolves into (much more actually ambient-sounding) ambient. And then you’ve inexplicably got “The Secret Life of Arabia.”

The effect of the album as a whole is. . .well, I was about to say “nightmarish,” but it’s not so much like a nightmare as it is like a weird-ass dream that creeps you out a little. Heroes is not nearly as coherent as Low but I think the case could probably be made for it as Bowie at his most thoroughly-fucked-up.

Trapdoor

It’d be nice if I could just disappear at will and reboot my life somewhere else, as somebody else. I mean, what if I could do that, really? Just snap my fingers or something to cause my current life to cease to exist? To scrub the universe clean of any and all evidence that my present incarnation even existed, while also setting me up to be born, again, in a different context?

What if everyone could do it? It’d be a kind of reincarnation-on-demand. There’d be no limit to how many times you could start over – all you’d need would be the desire, and wham, you’d be annihilated and reconstituted just like that.

I wouldn’t let myself age past about seven years. To hell with college and high school and middle school – I’d let myself get up to maybe second grade before restarting. That way I’d never have to deal with any of the messy, horrible stuff that comes with getting older. I’d be an eternal child but wouldn’t even be aware of it, because my memory would erase itself every time I decided to restart the cycle.

The only information that would carry on from incarnation to incarnation would be the abstract knowledge that at any given time I could stop everything; the abstract knowledge that I would always have a convenient, magic trapdoor, ready whenever I wanted it.

Maybe

Another test tomorrow. I don’t know if I’m ready for this. Maybe a little more ready than I was last time. Maybe not.

Keys

A knock at the door in the middle of the night woke my father up. He went to see who it was. It was her family. They had come to hang out with my family. We all sat down in the living room and watched a crazy fucking game show on television, one in which people killed each other in violent ways for fun and profit. The contestants climbed a giant DNA molecule. Whoever reached the twenty-first cytosine residue first would be the winner. 

The show’s host was a demon who dressed all in yellow. His face was red and pointed. He was too enthusiastic about everything and he gave me the creeps. Every few minutes he said, “and now a word from our sponsors” and there was a commercial break. All the commercials were the same commercial: a brash, obnoxious ad for a new Gillette razor with seventy blades.

Her mother was a catlike woman with sharp features, and she never smiled. Her father was a burly asshole. He was a producer. He had greenlighted the game show we were watching. It was making him millions of dollars. He was very proud of this.

The couple had two daughters. The older one was boring and she sat in the corner reading Nabokov and sighing loudly every time she turned a page. The younger one was electrically gorgeous. I looked at her and suddenly realized that I could see in her eyes that she hated this game show we were watching. She didn’t want to be there. I can’t remember her name, but it was something pretty and lilting, much like her face.

When no one was paying attention, I confronted The Lilting One and told her, you don’t want to be here, do you? You hate this show. She said, you’re rude, fuck off.

I said, you can talk to me, you know. It’s okay. And she didn’t do it at first but then she did. She told me that the game show scared her and her family scared her and so many things scared her (but mostly the game show). I said, look, it’s like that for me, too. She said, let’s go somewhere to talk, can’t we go somewhere to talk? I said, yes, why don’t we? That was exactly what I was thinking, actually. How about the corner Starbucks? The one they built last night? Let me just grab my car keys.

I peeked out the window. Outside, it looked like the LCD screen of a malfunctioning digital camera. We lived in an ugly city where everything was a shade of brown, but where the streetlights buzzed with an unreal yellow intensity. I told her we’d get into my car and drive to Starbucks. I told her it would be a beautiful thing. Then she grabbed my hand and said in this amazingly playful, flirty kind of way that she did not in fact want to go to Starbucks after all; she wanted us to drive down the freeway under the stars for thirty minutes until we found an out-of-the way dive bar in the middle of nowhere. She wanted us to go in there, talk in there, because that would be “so” “much” “more meaningful.” 

I said, you know what? That sounds great. Realizing I had found true love, I grabbed the car keys from my bedroom. It took several minutes of searching, but I found them. Then I decided I’d better tell my mother that I was going to disappear for a minute, or forever, but I ended up horribly caught in a web of family bullshit.

On the game show, contestants were crawling from one side of an arena to the other. The girl’s producer father, an immensely muscular man who ironically happened to be in a wheelchair (he had contracted polio just two hours before), had one leg stretched way, way out, encased in a cast-like apparatus (he had broken his leg ten years ago). He said, “hey, I can do that too. I can do it too. I’ve done it before.” My parents made me stay and watch him. It was immensely boring and I kept thinking about the beautiful lilting girl. Her mother was nowhere to be seen; she and the father had been fighting and they had gotten a divorce just thirty minutes before.

When I finally escaped the living room and went to the entrance hall with the keys, The Lilting One was there and there were tears in her eyes and she said, “we’re leaving, you know – my mother is taking us and leaving. We’re going to live on Mars. We’re going to live there forever.” The mother already had her older sibling by the hand and was dragging her and her Nabokov novel out the door.

I said, “no, you can’t leave,” and she said, “I’m sorry, but we’re leaving,” and I said, “no, no” but she was in fact leaving. Right before she left we kissed, and needless to say it was the greatest feeling ever but then she tore away and then I saw her walking across the grass, following her mother, and then I heard the gunshot and heard her scream and watched her fall and looked behind me down the hallway and saw her father, the polio-stricken monster, sitting in his wheelchair, clutching a smoking rifle. I could hear the roar of the studio audience from the TV back in the living room.

Torch

I passed fifteen cars on the way to the restaurant. I knew there were fifteen because I counted them off carefully: every time I saw one, I pulled out a little notebook and made a little tally mark. If that car was on fire, I put a check mark next to that tally mark. By the time I was a block away from the place, I had fifteen tally marks and eleven check marks.

The restaurant had no name and it may or may not have really existed. It was a small, cramped place. There was peeling drywall. There was a musty scent in the air. There were spiders.

I sat in the back and put my feet up on a table. I paged through my notebook while I waited for you.

When you showed up, you were, as always, smoking a cigarette. As always, you offered me one. As always, I declined.

“What’s on today’s agenda?” you said.

I looked up from the notebook. I narrowed my eyes.

“Cars,” I said.

“What about them?” you said.

“I saw fifteen on my way here. Eleven of ‘em were burning.”

“Burning?”

You were starting to get on my nerves.

“Yes, burning,” I said. “Like, on fire. Did you have anything to do with this?”

You took a drag on your cigarette. You blew out smoke. Then you laughed.

“It’s nothing to worry about,” you said. “Sometimes cars need to burn. There are six billion people in the world, you know. Maybe two billion have cars. That’s a lot of cars. And the number’s only going up. You gotta torch some of ‘em. You gotta thin the population out.”

“What? Listen to yourself! That’s sick!” I said. I felt self-righteous. I went on. “Those cars had lives! Those cars were living, thinking beings just like you and me!”

You laughed again. “Here,” you said. You handed me a flamethrower. “Take that outside. Burn some cars for me.”

“I won’t do it!” I said. “You can’t make me!”

“I don’t have to,” you said. You left.

I sat there for a while, I don’t know for how long, turning the flamethrower over in my hands. The waiter walked up to me and asked me what I was going to order. I told him I’d have the filet mignon. He told me it’d be $17.79. I pointed the flamethrower at him. He told me it’d be free.

My filet mignon arrived. It looked delicious. I was just about to dig in when I remembered I’d become a vegetarian just a few hours before. Frustrated and annoyed, I stood up abruptly and stalked out the door. The first car I saw was somebody’s black Mercedes. I burned the hell out of that thing. The flames were searing and white. Suddenly, I understood what you’d been talking about.

I walked around the block torching more cars. I’d almost gotten all fifteen of ‘em when they finally arrested me.

Arrow

It kept raining. It didn’t stop. I got the feeling it never actually would. We walked to the end of the Arrow: that was what the villagers called the stone slab that rose out of the water. They’d called it that for decades. I had never understood why.

The Arrow pointed into the water, which smelled like a rotting orange: pungent and strong and unpleasant. We stood among shifting, crumbling stones. We breathed in thick, oxidized sea air.

The haze was all around us and it was a filter. It dulled the world’s edges. It dulled my edges, too. I held my hand up to my face and could barely see it. Even from six inches away, it was an indistinct mass, fuzzy and watery. It didn’t seem real.

“I need some money,” I said. My words were officially addressed to no one in particular; unofficially, they were for you. You did not respond, so I felt the need to explain further.

“Basically, I need twenty dollars,” I said. “I want to buy a cat. I think that would run about twenty dollars. I’m not sure.”

Still, you said nothing and neither did the ocean. It kept roaring; I kept staring into gray nothingness. After six minutes of my lonely staring and after two thousand years of its own endurance in the face of countless crashing waves, the Arrow disintegrated.

I was underwater, sinking fast and watching bubbles dance out of my mouth. A school of cats darted past me and swam into the distance. I could barely see their fins, twirling madly and twirling forever. I thought, “damn it.” Above me floated rough, Styrofoam rocks: the remains of the Arrow. Below me was the seafloor. I was running out of oxygen. I looked for you, but you were dead.